Rachel C. Walker writes poetic, timbre-sensitive works drawing from her ongoing immersion in and research on Chinese folk music, musical time, and language. She engages in long-term collaborations with living writers, exploring the philosophical connections between transcription and translation within abstract musical syntaxes. Rachel has held residencies at the Banff Centre for the Arts and Creativity, Fondation Royaumont (Académie Voix Nouvelles), Britten-Pears Arts, Lisboa Incomum (Culture Moves Europe), La Becque (Migros Residency) and the Elektronmusik Studion Stockholm.
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