Maria Pia Cafagna was an Italian composer active in the late 1920s and 1930s. She is primarily documented through vocal and chamber works, especially art songs and settings of literary texts. Her known works include Sept Chansons populaires Grecques for voice and piano, published in Paris by Maurice Senart in 1931 with French translations by Hubert Pernot, and Hymne for tenor and string quartet, a 1929 autograph manuscript setting a poem by Charles Baudelaire and dedicated to Maurice Ravel.
Cafagna’s music places her within the interwar European tradition of mélodie, chamber song and literary song setting. Her surviving works show an interest in French poetry, Greek folk material and collaboration with writers and cultural figures of the period. Archival sources also document her correspondence with Manuel de Falla between 1933 and 1938, suggesting her participation in wider European musical networks. Although little biographical information is currently available, her surviving works confirm her activity as a composer of vocal and chamber music.
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